After the unexpected death of her parents, painfully shy and sheltered 26-year-old Ginny Selvaggio seeks comfort in cooking from family recipes. But the rich, peppery scent of her Nonna’s soup draws an unexpected visitor into the kitchen: the ghost of Nonna herself, dead for twenty years, who appears with a cryptic warning (“do no let her…”) before vanishing like steam from a cooling dish.
A haunted kitchen isn’t Ginny’s only challenge. Her domineering sister, Amanda, (aka “Demanda”) insists on selling their parents’ house, the only home Ginny has ever known. As she packs up her parents’ belongings, Ginny finds evidence of family secrets she isn’t sure how to unravel. She knows how to turn milk into cheese and cream into butter, but she doesn’t know why her mother hid a letter in the bedroom chimney, or the identity of the woman in her father’s photographs. The more she learns, the more she realizes the keys to these riddles lie with the dead, and there’s only one way to get answers: cook from dead people’s recipes, raise their ghosts, and ask them.
Yemen, 1935. Jama is a “market boy,” a half-feral child scavenging with his friends in the dusty streets of a great seaport. For Jama, life is a thrilling carnival, at least when he can fill his belly. When his mother—alternately raging and loving—dies young, she leaves him only an amulet stuffed with one hundred rupees. Jama decides to spend her life’s meager savings on a search for his never-seen father; the rumors that travel along clan lines report that he is a driver for the British somewhere in the north. So begins Jama’s extraordinary journey of more than a thousand miles north all the way to Egypt, by camel, by truck, by train, but mostly on foot. He slings himself from one perilous city to another, fiercely enjoying life on the road and relying on his vast clan network to shelter him and point the way to his father, who always seems just a day or two out of reach.
When the wife of renowned art critic Daniel Lichtmann plunges to her death, she is not alone. Lying next to her is her suspected lover, Benjamin Wind, the very artist Daniel most championed. Tormented by questions about the circumstances of their deaths, Daniel dedicates himself to uncovering the secrets of their relationship and the inspiration behind Wind's dazzling final exhibition.
What Daniel discovers is a web of mysteries leading back to pre-World War II Vienna and the magnificent life of Josef Pick, a forgotten artist who may have been the twentieth century's greatest painter of love. But the most astonishing discoveryis what connects these two artists acrosshalf a century: a remarkable woman whose response to the tragedy of her generation offers Daniel answers to the questions he never knew to ask.
"'He's got poetry,' I go, all choky. 'He's got mad poetry.'" With these words from China about her crush Eric, debut author E.R. Frank proves her fresh knowledge of millennial teenspeak. In Life Is Funny, there is no dated slang, only the ripe hip-hop dialogue heard on subway cars and street corners. Frank's ear is perfect as she details the lives and loves of 11 Brooklyn teens on the cusp of adulthood. Though the stories are gritty, for every slam there is a triumph. Tough-talking Monique, who is pregnant by her abusive ex-boyfriend, finds real peace with Hector, a dreamy-eyed nurse at the prenatal clinic who knows that love is the only medicine that will cure her terminal anger. Rich-boy Drew rejects all the material possessions that his father can buy him when he finally makes the 911 call that saves his mother from another beating at his father's hands. There's also Grace, whose movie-star looks can't save her from her alcoholic mom's rages, and Eric, who has lost the ability to love anyone or anything except his little brother Mickey. Sonia feels the friction of being a good Muslim girl in an intolerant public school, and Ebony cuts herself to forget how much she misses having a father in her life.
Frank has penned a high-intensity, multicultural, multidimensional teen reading experience that will challenge and change those who open it. These are real teens in real time. Be prepared for them to rock your world.
I devoured this book in two or three nights. Here is Amazon's description:
When their mother catches their father with another woman, twelve year-old Blessing and her fourteen-year-old brother, Ezikiel, are forced to leave their comfortable home in Lagos for a village in the Niger Delta, to live with their mother’s family. Without running water or electricity, Warri is at first a nightmare for Blessing. Her mother is gone all day and works suspiciously late into the night to pay the children’s school fees. Her brother, once a promising student, seems to be falling increasingly under the influence of the local group of violent teenage boys calling themselves Freedom Fighters. Her grandfather, a kind if misguided man, is trying on Islam as his new religion of choice, and is even considering the possibility of bringing in a second wife.
But Blessing’s grandmother, wise and practical, soon becomes a beloved mentor, teaching Blessing the ways of the midwife in rural Nigeria. Blessing is exposed to the horrors of genital mutilation and the devastation wrought on the environment by British and American oil companies. As Warri comes to feel like home, Blessing becomes increasingly aware of the threats to its safety, both from its unshakable but dangerous traditions and the relentless carelessness of the modern world. Tiny Sunbirds, Far Away is the witty and beautifully written story of one family’s attempt to survive a new life they could never have imagined, struggling to find a deeper sense of identity along the way.
The life Kamila Sidiqi had known changed overnight when the Taliban seized control of the city of Kabul. After receiving a teaching degree during the civil war—a rare achievement for any Afghan woman—Kamila was subsequently banned from school and confined to her home. When her father and brother were forced to flee the city, Kamila became the sole breadwinner for her five siblings. Armed only with grit and determination, she picked up a needle and thread and created a thriving business of her own. This is an amazing true story.
When Alice Ozma was in 4th grade, she and her father decided to see if he could read aloud to her for 100 consecutive nights. On the hundreth night, they shared pancakes to celebrate, but it soon became evident that neither wanted to let go of their storytelling ritual. So they decided to continue what they called "The Streak." Alice's father read aloud to her every night without fail until the day she left for college.
Alice approaches her book as a series of vignettes about her relationship with her father and the life lessons learned from the books he read to her.
Enjoy!
